Important Literary Terms
Glossary of Important Literary Terms
by Santosh Kumar Biswa, Bhutan
S/N
|
Term
|
Meaning
|
1
|
Dead Metaphor
|
It
is one which, like “the log of a table” or “the heart of the matter,” has so
common a usage that we have ceased to be aware of the discrepancy between the
vehicle and the tenor.
Vehicle
– metaphoric word itself
Tenor
– subject to which the metaphoric word is applied
|
2
|
A B C Poem
|
A
poem that has five lines that creates a mood, picture, or feeling. Lines 1
through 4 are made up of words, phrases or clauses while the first word of each
line is in alphabetical order. Line 5 is one sentence long and begins with
any letter.
|
3
|
Acronym
|
A
word formed from the initial letter of other words.
|
4
|
Acrostic poem
|
Most
commonly a poem in which the initial letter of each line makes a word/words
when read downwards.
Poetry that certain letters, usually
the first in each line form a word or message when read in a sequence.
|
5
|
Acrostic
|
A
poem in which letters in successive lines make a word or pattern or verse in
which certain letters such as the first in each line form a word or message.
A
true acrostic, like the ‘Argument’ at the beginning of JONSON’S VOLLPONE,
forms the word from the first letter of each line.
|
6
|
Allegory
|
A
poem in which the meaning and message is presented symbolically. It is the
representation of abstract ideas or principles by characters, figures, or
events in narrative, dramatic, or pictorial form and can often be an extended
metaphor for a specific historical or political event.
|
7
|
Alliteration
|
The
repetition of a sound in two or more words. In its commonest forms, initial
consonants are repeated.
The
repetition of initial consonant sounds.
|
8
|
Allusion
|
A reference, sometimes indirect,
to a person, place, theory etc. which the reader is assumed to have some
knowledge of (passing reference or indirect mention). |
9
|
Analogy
|
The comparison of two things by
explaining one to show how it is similar to the other. |
10
|
Anaphora
|
The
repetition of the first word or words in successive sentences or clauses.
|
11
|
Anecdote
|
A
short story used to illustrate a point, often used by writers as a way of
introducing their topic.
|
12
|
Annotation
|
Explain,
comment, give extra information, evaluation, analysis etc. to write notes
upon something. A comment or instruction (usually added) or the act of adding
notes.
|
13
|
Anthology
|
A
collection of poems or passages, often with a useful theme.
|
14
|
Anti-climax/ bathos
|
A
rhetorical; awakening word or phases in descending order according to their
rhetorical intensity often used for attaining comic effect; the weak ending
of a dramatic effect.; a situation beginning seriously but ending lightly. Or
a change from a serious subject to a disappointing one.
|
15
|
Antithesis
|
A
stylistic device based on opposition terms, statements, motifs, or themes.
|
16
|
Apostrophe
|
A
direct statement made to a person or thing; rhetorical figure; addressing
personified things, absent person, or thing, or gods; invocation; poetic
fallacy.
|
17
|
Assonance
|
A
repetition of similar vowel sounds, generally close to each other, to achieve
a particular kind of word music.
The
repetition of vowel sounds. E.g. My words like silent
raindrops fell.
|
18
|
Audience
|
The
readership whom the writer is addressing, the people who are being targeted
by the article.
|
19
|
Ballad
|
A
poem or song narrating a popular story. There are three kinds of ballads:
folk, broadside and literary.
|
20
|
Bio Poem
|
A poem written about one
self's life, personality traits, and ambitions.
|
21
|
Blank verse
|
Unrhymed
verse. It is normally a line of 10 syllables. It’s second, fourth, sixth,
eighth and tenth syllables are accentuated (iambic pentameter).
Poem made of one or two sentences broken into the
lines of a verse that enable the writer to evoke a strong image that is often unobtrusive.
|
22
|
Burlesque
|
A
comic form which is ridiculously exaggerated. Its style is dignified but the
matter is nonsensical. Sometimes the subject is dignified but the style is
nonsensical.
Poetry
that treats a serious subject as humour
|
23
|
Cacophony
|
The
sound in the poem that is mixed with discordant or harsh sounds
|
24
|
Caesura
|
The
pausing or stopping within a line of poetry caused by needed punctuation.
|
25
|
Connotation
|
The
set of associations implied by a word in addition to its literal meaning.
|
26
|
Consonance
|
The
repetition of consonant sounds in a short sequence of words.
|
27
|
Canzone Poem
|
Medieval
Italian lyric style poetry with five or six stanzas and a shorter ending
stanza.
|
28
|
Carpe Diem
|
Latin
expression that means 'seize the day.' Carpe diem poems have a theme of
living for today.
|
29
|
Catachresis
|
Word
distorted to twist the meaning. E.g. Nothing ventured, nothing sprained
(gained).
|
30
|
Chiasmus
|
Form
of contrast deliberately built.
|
31
|
Cinquain
|
Theme
poem following syllabic line that counts: 2, 4,6,8,2.
Poetry
with five lines. Line 1 has one word (the title). Line 2 has two words that
describe the title. Line 3 has three words that tell the action. Line 4 has
four words that express the feeling, and line 5 has one word which recalls
the title.
|
32
|
Classicism
|
Poetry
which holds the principles and ideals of beauty that is characteristic of
Greek and Roman art, architecture, and literature.
|
33
|
Cliché
|
A
stereotyped expression which is overused. E.g. "the dawn of a new
era".
An
overused word or phrase. E.g.: I'm so hungry I could eat a horse
|
34
|
Climax
|
The
highest point of development or intensity of a situation in a poem, story or
play.
|
35
|
Collage poem
|
Any
poem that is created by bringing together sentences or phrases from different
sources.
|
36
|
Coin an expression
|
To
invent a new word or phrase to suit the context.
|
37
|
Colloquialism
|
Word
or phrase chiefly found in everyday speech, as opposed to writing. The use of
colloquialism is one of the hallmarks of an informal style of writing.
|
38
|
Communion
|
State
of sharing or exchanging the same thoughts of feeling.
|
39
|
Conceits
|
A clever or fanciful expression in writing
or speech that involves comparison in writing or speech that involves a
comparison between two things.
|
40
|
Concrete poetry
|
Poetry
which depends for effect upon the way it is laid out on the page.
|
41
|
Connotation
|
The
various secondary meanings and overtones of a word: what associations it
carries
|
42
|
Consonance
|
The
repetition of the same consonant in words close to each other.
The
repetition of end consonant (every letter that is not a vowel) sounds.
|
43
|
Couplet
|
Prosody
of two successive lines of verse, usually rhyming and of the same length. It
has stanzas made up of two lines which rhyme with each other.
|
44
|
Dactyls
|
An
element of metre in poetry. In quantitative verse, a long syllable followed
by two short syllables.
|
45
|
Denotation
|
The
literal dictionary meaning(s) of a word as distinct from an associated idea
or connotation.
|
46
|
Descriptive poem
|
A
poem that make the readers see and feel the action described in it. It has
short verse with rhyme.
|
47
|
Dirge
|
A
solemn and mournful short poem sung at funerals, monody; requiem; elegy.
|
48
|
Disillusioned
|
Destroy
the pleasant but mistaken beliefs or ideals.
|
49
|
Dissociation of sensibility
|
Term
used to describe a disjunction of thought and feeling.
|
50
|
Doggerel
|
Rough,
heavy- footed and jerky versification
|
51
|
Dramatic monologue
|
A
poem or piece of writing, containing elements of drama such as tension and
character: revelation, which is spoken to a listener. The speaker addresses a
specific topic while the listener unwittingly reveals details about
him/herself.
|
52
|
Eclogue
|
A
short pastoral poem (play, picture).
|
53
|
Elegy
|
Sorrowful
song or poem with lament especially for the dead.
A
poem about the death of an individual.
|
54
|
Emotive Language
|
Language
deliberately designed to arouse the emotions (often to be found in tabloid
newspapers).
|
55
|
Emphatic Words
|
Words
being used for the purpose of emphasis: E.g. even; so; too; indeed; only;
most; all (as in "all too clear")
|
56
|
End Rhyme
|
A
rhyme in the final syllable(s) of a verse.
|
57
|
End-stopped
|
A
feature in poetry where the syntactic unit (phrase, clause, or sentence)
corresponds in length to the line.
|
58
|
Enjambment
|
The
breaking of a syntactic unit (a phrase, clause, or sentence) by the end of a
line or between two verses. Its opposite is end-stopping, where each
linguistic unit corresponds with a single line.
|
59
|
Epic
|
A
long poem narrating the descriptive adventures of a heroic figure that tells
the story.
|
60
|
Epigram
|
A
verse with an irregular metre pattern which is very short, ironic and witty,
usually written as a brief couplet or quatrain.
|
61
|
Epitaph
|
Verses written about someone with important qualities who has died.
|
62
|
Epithalamion
|
A
song or a poem written in honour of the bride and groom to celebrate their
wedding.
|
63
|
Ethereal
|
Light,
airy, delicate, esp., in appearance; heavenly
|
64
|
Euphemism
|
A
deliberate softening of a harsh truth or
an
inoffensive or indirect expression that is substituted for one that is
considered offensive or too harsh
|
65
|
Extended Metaphor
|
A
metaphor which is drawn out beyond the usual word or phrase to extend
throughout a stanza or an entire poem, usually by using multiple comparisons
between the unlike objects or ideas
|
66
|
Fable
|
A
short moral story (often with animal characters). It is sometimes about mythical or supernatural
beings or events.
|
67
|
Figurative Language
|
Language
using figures of speech which cannot be taken literally.
|
68
|
Figure of Speech
|
It is the devices used by the poet to create
special effects by giving an additional sense to words to make readers look
at what the poet says in an appealing manner.
|
69
|
Foot
|
A
unit of rhythm or metre; the division in verse of a group of syllables, one
of which is long or accented.
|
70
|
Found poem
|
A
poem which has not been deliberately composed but discovered by chance, in
some other context.
|
71
|
Free verse
|
Verse
that does not use traditional metrical or rhyming schemes.
It
does not essentially follow any structure or style. There is no fixed metre
and no structure regarding rhyme and lines in each stanza.
Poetry written in either rhyme or unrhymed
lines that has no set fixed metrical pattern.
|
72
|
Ghazal
|
A
short lyrical Urdu poem between 5 and 15 couplets long.
|
73
|
Haiku
|
A
Japanese verse form consisting of 17 syllables in 3 lines of 5, 7 and 5
syllables respectively. It does not use rhyme.
|
74
|
Half rhyme
|
Rhyme
approximately. E.g. heat-wet-sleet.
|
75
|
Heroic couplet
|
Lines
in iambic pentameter which are rhymed in pairs.
|
76
|
Homonym
|
Two
words which are pronounced or spelled the same way but have different
meanings
|
77
|
Horace Ode
|
Short
lyric poem written in two or four-line stanzas, each with the same metrical
pattern. It deals with friendship or love.
|
78
|
Hymn
|
A song of praise (to God or to a saint or to
a nation)
|
70
|
Hyperbole
(Overstatement)
|
Exaggeration for rhetorical
reasons; amplification; exaggeration to create an effect with humour. It is
not a statement to be taken literally. |
80
|
Iambs
|
A
metrical unit with unstressed-stressed syllables
|
81
|
Idealism
|
Forming
or pursuing ideals; representation of things in ideal form; philosophy in
which objects are held to be dependent on the mind.
|
82
|
Idiom
|
An expression whose meaning cannot be
inferred from the literal meanings of the words that make it up.
|
83
|
Imagery
|
The
ability to form mental images of things or events. It is a word-picture with
repeated use of words of comparison (the image grows magnified).
|
84
|
Iambic Pentameter
|
This
is a very complicated style of writing poetry that was often used by
classical poets. It uses syllable stresses to create musical sounds. There is
one short sounding syllable followed by one long sounding syllable at the end
of each of the five stanzas in a row.
|
85
|
Idyll Poem
|
A
short poem descriptive of rural or pastoral life that either depicts a
peaceful, idealized country scene or about heroes of a bygone age.
|
86
|
Internal Rhyme
|
It
is also called middle rhyme; a rhyme occurring within a line.
|
87
|
Irony
|
Where
actual meaning is opposite to what is said; witty language used to convey
insults or scorn.
|
88
|
Imagism
|
20th
century movement which made the image the central focus of the poem. It uses
common speech in free verse with clear concrete imagery.
|
89
|
Innuendo
|
An
indirect (and usually malicious) implication or subtle reference, especially.
one made indicating criticism or disapproval; insinuation.
|
90
|
Intrigue
|
Make
and carry out secret plans or plots to do something bad, arouse somebody’s
interest or curiosity.
|
91
|
Jargon
|
The
special vocabulary or characteristic idioms in language used by a particular
group of people.
|
92
|
Kinetic poetry
|
Poetry
which depends visually on the movement created by the layout of words on the
page.
|
93
|
Lat Poem
|
A
long narrative poem, especially one that was sung by medieval minstrels.
|
94
|
|
A
very popular form of humorous and nonsense poetry of five lines having the
same metrical structure with rhyme and seven to ten syllables each. It often uses
the rhyming scheme AA BB A in which the third and the fourth lines are
shorter than the rest.
|
95
|
List Poem
|
A
poem of any length, rhymed or unrhymed, that is made up of a list of items or
events.
|
96
|
Litotes
|
A
deliberate understatement for rhetorical effect often designed to create a
comic or sarcastic effect.
|
97
|
Lyric
|
A
short poem of songlike quality expressing individual emotions of the poet/
individual.
|
98
|
Masque (mask)
|
A
mature dramatic entertainment comprising songs, music, dance, elaborate
costumes and scenic splendour. Plot and characters are very significant.
|
99
|
Metaphor
|
A figure of speech in which an expression is
used to refer to something that it does not literally denote in order to
suggest a similarity.
|
100
|
Metaphysics
|
The
branch of philosophy that deals with the nature of existence, truth and
knowledge.
|
101
|
Metaphysical poet
|
Any
of the poets in 17th century
|
102
|
Metonymy
|
The
use of a characteristic as a substitute for the object described and vice
versa or the technique of substituting the name of an attribute or feature
for the name of the thing itself.
|
103
|
Metre
|
The
organization of poetry into regular or recurrent patterns of stressed and
unstressed syllables that measure the rhythmic quantity in poetry. The unit
of metre is foot.
|
104
|
Metrical Romance
|
A
poem of romance in metre.
|
105
|
Mock epic
|
Burlesque
of epic poetry by treating on insignificant subject in a grand manner.
|
106
|
Montage
|
The
act of placing two different objects together to create a further meaning.
|
107
|
Myth
|
Story
about gods, goddesses or heroic individuals
|
108
|
Narrative Poem
|
A
poem that tells a story or narrates a series of events.
|
109
|
Octave
|
An
eight-line stanza; the first eight lines of a patriarchal sonnet.
|
110
|
Ode
|
A
reflective or lyric poem
that praises a person, object or incident. It has complex stanza forms
with exalted style and tone that comprise of two or
more lines repeated as a unit.
|
111
|
Onomatopoeia
|
The
creation of words which imitate the actual sound of things that suggest their
meaning. It is also called sound
words.
|
112
|
Oxymoron
|
Conjoining
contradictory terms or incongruous images; a pithy paradox, often involving
only two words making sense despite an apparent self-contradiction;
incongruity; paradox. Or it is the technical term for a paradox which is
expressed in two contradictory words.
|
113
|
Palindrome
|
A word or phrase that reads the same
backward as forward
|
114
|
Persona
|
The
speaker or voice of a literary work that is doing the talking by using
“I”.
|
115
|
Pun
(quibble )
|
A
humorous play on words, usually for humour, deliberately playing on two
possible meanings of one word to create a comic effect.
|
116
|
Pantheism
|
Belief
that God is everything and that everything is God.
|
117
|
Paradox
|
A
statement that contradicts itself which is nevertheless somehow true.
|
118
|
Parody
|
A
composition that imitates or misrepresents somebody's style, usually in a
humorous way; a humorous imitation of a literary work or style.
|
119
|
Pastoral
|
A
lengthy lyric poem which describes rural life as a peaceful and ideal way of
life. It has an elevated style and formal stanza structure.
|
120
|
Pathos
|
A
style of writing that has the power to evoke feelings which stimulate pity,
tenderness, and sorrow in the readers/viewers.
|
121
|
Personification
|
The
presentation of an object or idea as a person with human qualities or
feelings (a figure of speech in which inanimate objects or abstract ideas are
endowed with qualities of living beings).
|
122
|
Poem
|
A
14-line sonnet consisting of an octave rhyming abbaabba followed by a sestet of cddcee or cdecde.
|
123
|
Pictogram
|
The
representation of an object or idea as a small drawing or diagram.
|
124
|
Pindaric ode
|
An
ode form used by Pindar, a Greek professional lyrist of the 5th century B.C.;
has triple groups of triple units. It is a ceremonious poem consisting of two
or more lines repeated as a unit followed by an antistrophe with the same
metrical pattern and concluding with a summary line (an epode) in a different
meter.
|
125
|
Platonic Love
|
Type
of love that is free from physical desire.
|
126
|
Pleonasm
|
Meaningless
repetition of redundant words or using more words than necessary.
|
127
|
Poet Laureate
|
Poet
appointed to write poems for state occasions.
|
128
|
Poetic Diction
|
Words
chosen for their poetic quality. It is the manner in which something is
expressed in words by the poet.
|
129
|
Poetic Drama
|
A
play in which poetry outweighs drama. The dialogues are written in verse,
usually blank verse.
|
130
|
Poetic Justice
|
An
ideal situation in which good is rewarded and evil is punished.
|
131
|
Poetic Licence
|
Freedom
to change normal rules of language when writing verse by reversing word order
and changing its meaning.
|
132
|
Point of View
|
The author's point-of-view
concentrates on the vantage point of the speaker, or "teller", of
the story or poem.
|
133
|
Prose Poem
|
A
form of writing which is written as prose but resembles poetry.
|
134
|
Psalm
|
Sacred
song or hymn in the bible which is usually used to praise God or a deity.
|
135
|
Quatrain
|
Kind
of poem that has four lines in a stanza, of which the second and fourth lines
rhyme with each other and have a similar syllable structure.
|
136
|
Refrain
|
A
phase or verse which recurs at intervals, especially at the end of each
stanza of a poem or a song.
A
metrical or rhythmical unit that consists of a few words, a line, or a group
of lines which are repeated regularly within a poem, esp. at the end of the
stanza.
|
137
|
Repetition
|
The
repeating of words, phrases, lines, or stanzas.
|
138
|
Requiem
|
A
song or hymn of mourning composed or performed as a memorial to a dead person
or a chant embodying a prayer for the repose of the dead.
|
139
|
Rhetoric
|
Study
of the technique and rules for using language effectively with precise,
logical and beautiful words.
|
140
|
Rhetorical Question
|
This
is a literary device used to indicate a question to which no answer is
expected: the answer is implied in the question.
|
141
|
Rhyme
|
Rhyme
is identifying of a sound between words or the endings of the words
especially in verse in its accented vowel and succeeding sound with a
specified word.
|
142
|
Rhyme Pattern
|
The way the rhymes occur in a poem.
|
143
|
Rhyme Royal
|
A
type of poetry consisting of stanzas having seven lines in iambic pentameter.
|
144
|
Rhyme Scheme
|
The
sequence in which the rhyme occurs. The first end sound is represented
described by using letters of the alphabet to denote the recurrence of
rhyming lines as the letter "a", the second as "b", etc.
|
145
|
Strophe
|
One
section of a lyric poem or choral ode in classical Greek drama in which two
or more lines are repeated as a unit.
|
146
|
Rhythm
|
The
arrangement of spoken words alternating stressed and unstressed elements; the
regular or progressive pattern of recurrent accents in the flow of a poem;
the rise and fall of stresses on words in the metrical feet.
|
147
|
Romanticism
|
A
movement in literature and art during the late 18th and early 19th centuries
that celebrated nature rather than civilization
|
148
|
Rondeau (Rondeaux)
|
A
French verse form of 10 or 13 lines running on two rhymes with the opening
phrase repeated twice as the refrain of the second and third stanzas.
|
149
|
Satire
|
It
is the witty language used in a poem or story used to convey insults or scorn
which lashes vice or folly with ridicule. It uses irony and sarcasm.
|
150
|
Sestina
|
A
highly structured poem consisting of six six-line stanzas and a three-line
closing stanza followed by a tercet or envoy, for a total of thirty-nine
lines . The end words of the first stanza are repeated in varied order as end
words in the other stanzas and also recur in the envoy.
|
151
|
Shape Poem
|
A
poem written in the shape of an object as per the
subject discussed.
|
152
|
Simile
|
The
direct comparison of one thing with another or a comparison between two
unlike things, generally connected with ‘as’ or ‘like’.
|
153
|
Slant Rhyme
|
Sometimes
known as half or off rhyme, a rhyme in which the sounds are similar, but not
exact often using consonance or assonance.
|
154
|
Soliloquy
|
A
dramatic speech intended by a character in a play to give the illusion of
unspoken reflections to oneself where no one else is present. It conveys the
innermost thoughts of a character.
|
155
|
Sonnet
|
A
verse form consisting of 14 lines with a fixed rhyme scheme, with five-foot iambics rhyming (pentameter).
|
156
|
Stanza
|
A
grouping of two or more lines of a poem in terms of length, metrical form, or
rhyme scheme.
|
157
|
Stress
|
Emphasis
on a syllable or word in pronouncing or in accordance with a metrical
pattern.
|
158
|
Surrealism
|
A
20th century movement of artists and writers (developing out of Dadaism) who
used fantastic images and incongruous juxtapositions in order to represent
unconscious thoughts and dreams, in a dreamlike and absurd manner. It attempts to convey the working of the
subconscious mind. In literature, it results in jumble of words without
logical or rational sequence.
|
159
|
Syllabic Verse
|
Verse
which is organized according to the number of syllables in each line.
|
160
|
Syllable
|
A
unit of spoken language larger than a phoneme.
|
161
|
Symbol
|
An
arbitrary sign (written or printed) that has acquired a conventional
significance where the object represents not itself but other objects or qualities
like courage, innocence.
|
162
|
Symbolism
|
The
use of symbol to represent ideas especially in art or literature; poetry full
of religious symbolism.
|
163
|
Synecdoche
|
A rhetorical figure: naming a part of an object instead of
naming the whole object or a figure of speech which substitutes a more
inclusive term for a less inclusive one or vice versa. Thus a newly arrived
person becomes a “new face “.
|
164
|
Tanka
|
A
form of Japanese poetry; the 1st and 3rd lines have five syllables and the
2nd, 4th, and 5th have seven syllables. It is a 31-syllable poem in five lines of 5, 7, 5, 7, and 7 syllables.
|
165
|
Tautology
|
It
is the repetition of the same idea in different expressions to produce a
dramatic effect.
|
166
|
Tenor
|
Subject
to which the metaphoric word is applied.
|
167
|
Tercet
|
A
stanza having three lines in rhyme.
|
168
|
Terza Rima
|
A
series of three-line stanzas interlocked by rhyme arranged in three-line
tercets, as; aba bcb cdc ded….
|
169
|
Tone
|
The
attitude suggested by the voice of the poem with emotional feelings of the
passage, the unspoken voice of the writer or a pitch or change in pitch of
the voice that serves to distinguish words in tonal languages.
|
170
|
Transferred Epithet
|
A
rhetorical figure where normal syntactical structure of a sentence is changed
and some terms are transferred from their logical place: inversion:
anastrophe.
|
171
|
Trochee
|
A
metrical foot with a long or accented syllable followed by a short or
unaccented syllable.
|
172
|
Vehicle
|
A
medium for the expression or achievement of something, which is metaphoric
word itself.
|
173
|
Verse
|
A
line of metrical text of poetry.
|
174
|
Villanelle
|
A
poem of 19 lines divided into three-line stanza and a concluding stanza of
four lines. It uses only two rhymes and the first line is repeated as the
last line of the second and fourth stanza and the last-but-one line of the
poem.
|
175
|
Visual Poetry
|
Poetry
which depends for its effect largely upon the layout of the words on the
page.
|
176
|
Wit
|
A
brief and well-phrased expression whose ingenuity or verbal skill or
incongruity has the power to evoke laughter or give one a shock of amused
surprise, calculated to stick in the mind.
|
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